The first painting I exhibited was in 1978. It was hung over the bar at Bill's Bar, and was bought by Mario who had his own bar and restaurant, The Bahia, around the corner. Mario still comes to the island. I meet him on the stairways sometimes, but I haven’t asked him if he still has the painting.
The valley between Kamini and Vlichos has been my main motif when constructing my landscapes. It contains a magical harmony of forms, combining the vital elements of land, water and sky. The 'valley' can certainly be said to be an obsession, and if not the central subject of a painting it often finds its way into a composition. The house on Hydra where I now live, does not look onto the valley, but luckily a good view is but a few dozen steps away and so I can satisfy my urge without too much effort. Still lifes are like a personal memory, capturing a collection familiar things in a moment of a lived space.
In India I have been painting in a similar way but within my Indian context. Primary subject matter is the garden which I have planted and nurtured, and the boulders, river and hills which frame the garden.